Abstract
In this article, I assess the current state of neuroaesthetics by reviewing 10 recent books on neuroscientific and evolutionary aspects of aesthetic cognition. These books largely continue the main thrust of this genre since its inception. Virtually all are insightful and thought-provoking, though their individual strengths vary. Among them, Shimamura and Palmer's edited book, Aesthetic Science, provides the most useful and balanced interdisciplinary framework, making philosophy and psychology equal partners with neuroscience. This pluralistic mode, dethroning neuroscience from its usual hegemony, seems best poised to address heretofore neglected issues in neuroaesthetics research. I address several dichotomous tensions—high versus low art, the drive for creative innovation versus evolutionarily canalized aesthetic biases, and explicit versus implicit aspects of aesthetic cognition—to identify promising future research directions, which can best be fulfilled though interdisciplinary cooperation and debate, with a continued emphasis on evolutionary theory.
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