The Music Elements of Nora Rong Khru

Abstract

This study aims to present knowledge related to the musical elements of Nora Rong Khru. It is qualitative and uses field research and ethnographic narrative methods in ethnomusicology to collect data on human sounds, folk music, and ethnic group music within their cultural contexts, presenting the findings in a report that includes relevant documents and research which found that the rituals and music of Nora Rong Khru are traditionally passed down within families, relatives, or the Nora Rong Khru lineage. Nora Rong Khru music can be divided into two main parts which are: 1) Ritual music, and 2) Performance music: The performance music of Nora Rong Khru is categorized into two parts: 1) The music, and 2) The accompanying dance. The music for Nora Rong Khru is divided into four parts: 1) The instruments, consist of six types: Pi Nora, Tubb drum, Tuk drum, Mong Khu, Ching, and Trae. 2) The melodies, are divided into main melodies and other melodies. 3) The rhythms, are categorized into three groups: the primary or vital rhythm ensemble, the rhythmic variation ensemble, and the spontaneous composition, and 4) The music ensembles, which include original, entertainment, and contemporary styles. Nowadays, Nora Rong Khru music evolves with the times, with educational opportunities to study and learn about it essential for preserving and promoting its identity, ensuring it remains intact amid societal changes.