The Aesthetics of Asiri Folk Art and a Course in Tourism Activation through Folk Utensils

Nahed Mohammed Mosa Turkestani
Rasha Hassan Hosni

Abstract

The research aims to achieve three basic entrances, namely the entrance to benefit from the aesthetics of Asiri art and the entrance to the role of this art in activating tourism in a harmonious aesthetic style and the entrance to popular utensils in the region by linking them to employ them in new ways in popular utensils to stimulate tourism in the Asir region and through these entrances was clarified the concept of Asiri decorations and identify the types of decorations in Asir old, and modern, and identify the characteristics of theRath Al-Asiri and the meanings and connotations of the decorations of Al-Asiri art, and identify the techniques of folk utensils in the different region, and identify the raw materials used in popular utensils, and clarify how to link them. The research has provided the background of the research and determine its problem, its goal and the assumptions that the goal achieves, then indicated the importance of the research and its limits, and one of the most important results that we reached. The multiple Asiri motifs of the Saudi heritage have a major role in achieving a new new vision, and employing them in new plastic formulations that combine simplicity and modernity and then employing the decorations of the ASR areain the new folk utensils that keep pace with the times, and the research is based on the experimental descriptive approach.

How to Cite

Nahed Mohammed Mosa Turkestani, & Rasha Hassan Hosni. (2024). The Aesthetics of Asiri Folk Art and a Course in Tourism Activation through Folk Utensils . EVOLUTIONARY STUDIES IN IMAGINATIVE CULTURE, 172–193. https://doi.org/10.70082/esiculture.vi.1821