Experimental Approaches to Typographic Methods that Achieve Tactile Images and Design Richness of Pendants
Abstract
Since the beginning of the twentieth century until the present time, artistic trends have increased and multiplied in a way that exceeds what came in the paths of arts from previous eras, as they give us lessons in freedom from traditional materials and responding to various new materials. The contemporary trend in the field of manual printing is no longer limited to the use of a single material or technique or a unique method, but there are many styles, materials and printing surfaces after what was specialized in printing textiles in particular. There are many printing surfaces of natural materials such as wood, natural leather and natural cork. And manufactured materials such as glass, manufactured wood and plastics has varied these raw materials between soft surfaces and flexible raw materials and between hard surfaces and hard materials has directed these surfaces to the uses of dyeing materials different from what was used in the printing of textiles such as the use of glass colors, ceramic colors, colors of Acre Ylik, plastic colors.There are no longer materials limited to the field of art without the other, the outlook has changed to address the artwork, whether through practice or reception, the artwork in the end is a visual perception that reflects the feelings of the artist and his thoughts and feelings and addresses them in the forum and seeks to that artist with all his capabilities and skills as an employee of the surfaces of the different materials in his hands, including the formal characteristics and plastic features through printing them with a bassDifferent artistic typographic to achieve different tactile and linear effects. Therefore, because the artist in the twentieth century resorted to the distance from imitating reality and interest in the essence and rebellion against everything that is apparent until he reached the abstraction of everything about his external appearance and helped by the emergence of modern technology and scientific development, abstraction in art is only a process of getting rid of natural visions to reveal things with their latent artistic meanings. Therefore, we tended in this research to identify the plastic values found in abstract art and take advantage of these values in the work of contemporary designs using different printing methods.Its types and plastic values found in calligraphy and color, clarifying the concept of abstract art, the characteristics of this art and the types of abstract art. The research problem lies in how to benefit from the effect of linear and color contact with printing methods through experimentation in different materials to enrich typographic designs with abstract values. Therefore, we have made a set of proposed designs and were implemented using printing methods on different surfaces of materials, and employing those designs to flat and stereoscopic works has used the descriptive analytical approach and the experimental approach to compare and analyze the results and the most important results, reached by the study diversity of tactile and linear effects that can be achieved by printing methods on different surfaces.