The Relationship Of The Actor's Body Techniques To The Cultural Component Of Iraqi Theatre

Abstract

In the context of an individual's everyday existence, one employs their physical form in conjunction with a technological framework that is intricately connected to their cultural background, as well as the prevailing norms and practices of the society in which they reside. Nevertheless, during his stage performances, he employs a distinct bodily approach that transcends conventional or habitual bodily movements typically observed in everyday life. What can be asserted? In the course of an individual's daily activities, they often engage in nonverbal communication without conscious awareness. The manner in which one expresses themselves through physical gestures holds significant social implications, which are intricately intertwined with their life experiences, level of consciousness, and the prevailing cultural norms within their society. These gestures encompass a range of behaviors that are recognized and understood within their cultural context. However, in the scenario where he assumes the role of an actor, the situation diverges, as he may be required to utilize his physical and verbal techniques to elicit particular connotations and meanings within the setting of the theatrical production. The physical culture of actors exhibits variation across different countries, and the Iraqi actor is an integral component of the theater system, embodying and representing the cultural values and norms of their community. The objective of this study is to address the aforementioned issue. The study comprised of four distinct parts, with the initial chapter serving as the framework. The research employed a methodological approach that encompassed several key components, namely the identification of a problem, the generalizability of the problem, the research aims, the limitations of the research objectives, and the inclusion of crucial terminology relevant to the study. Regarding the second chapter, it encompassed the theoretical framework of the study and comprised two distinct components. The initial segment encompassed the exploration of bodily procedures and societal indicators, whilst the subsequent segment delved into the examination of the systems involved in generating physical action throughout the performance. The chapter concludes by discussing the significant markers of the theoretical framework in contemporary theater. The third chapter encompasses the research processes employed by the research community, the research tool utilized, and the research sample selected. The important findings and conclusions were encompassed within the fourth chapter.